Glass: Closing

Domenichino_Santa_Cecilia

Today is the feast day of St. Cecilia, patron saint of music. Music is such a perplexing thing: collections of noises, essentially, artfully arranged, and these arrangements can have such great emotional power over us. Think of the times you’ve been carried away by a piece of music: Two weeks back on Performance Today, the final movement of “Glassworks” by Philip Glass, “Closing,” performed on six pianos, had me captivated. I was in the truck, headed to Downtown Lake Worth, and even after reaching my destination and parking, I felt powerless to leave the truck until the music ended. Or think of a quiet hymn in a church, or for the Shakers, gifts of music delivered, they felt, to them from the spirit world. The Shakers who received them called them Gift Songs, believing they hadn’t composed the songs by any power of their own. They simply were the vehicles through which the gifts were delivered to the physical world. Such an astounding thing.

I’ve been captivated lately by a 45 second video clip that was released by Jane Siberry. If you know me and Convivio Bookworks well, you know Jane is a big influence. There’s that power of music, of course, and her work informs much of what we do here in terms of the way we see things. Her world view influences also our approach to creativity and even to our business. It’s rare that we get to see a song in the process of being created, but that’s what this video documents. It is, as I mentioned on our Facebook page when I posted it there, about nothing and about everything. I can’t get enough of it.

I find this insight into the creative process fascinating. Music will always be a thing of mystery and wonder to me. St. Cecilia is there to remind us of that, too.

Image: A head study for the fresco “Saint Cecilia Playing the Organ” at the Abbey of Grottaferrata, by Domenichino. Chalk on paper, c. 1608–1610. [Public domain] via Wikimedia Commons.

 

Viva I Bersaglieri

ArturoBersaglieri

The Eleventh of November is one of the most complex dates, I think, in terms of the seasonal round. Traditionally the day is Martinmas, or Hollantide, the feast day of St. Martin of Tours. He was a veteran of the Roman army in the fourth century who opted to take up Christian pacifism and is known best for helping a poor, drunken man on a cold winter’s day by tearing his own cloak in two so that the poor fellow could have something to keep him warm. Martin has since become a patron saint of tailors and, for better or worse, of vineyard keepers and winemakers and drunkards.

Martinmas is the day to taste the newly fermented wine. Each year’s Beaujolais wines of France, always young wines, are typically released on or around Martinmas, and the day is often accompanied by a good meal featuring goose or turkey and chestnuts––typical harvest celebration foods––and, in Italy, Biscotti di San Martino: biscotti that are so hard, the only way to eat them, really, is to first dunk them in something. That something is meant to be wine, of course.

My grandparents, all of them immigrants to the US from Italy, all made wine. (My dad says he was glad to get married and leave the winemaking that went on in his family home behind… but then of course he married my mother, and her family made wine each autumn, too.) Certainly San Martino was important to them all. That’s my grandfather Arturo in the photograph above; he loved his wine, even though he was not supposed to have it because of his stomach ulcers. Back when that photograph was taken, he was a soldier in the Italian army during the First World War. He was part of the Bersaglieri corps (pronounced ber-sal-ee-erree), an elite quick moving infantry unit who wore distinctive plumed caps. I grew up seeing that photograph every day, large and framed and hanging on the wall, knowing that was my grandpa, the same guy I was playing old Italian card games with, also every day, games like Scopa and Briscola, games he probably played with other Bersaglieri when he was a young man in the war.

Grandpa was a prisoner of war in Poland. He never did understand how folks could go to a restaurant and order potato skins. “That’s all we had to eat was potato skins,” he’d tell us. The war he fought in, the Great War, which came to be known as World War I once the second one came around, ended on November 11, 1918, on Martinmas, with an armistice signed at the eleventh hour of the eleventh day of the eleventh month. And so Martinmas soon became known as Armistice Day. Today, we call it Veterans Day, and on this day, we honor all who have served in the armed forces. Many other countries have similar observances at this time of year, with a general theme of remembrance for all who have served their country.

In many ways, this day is but an extension of the Days of the Dead that began at the start of the month. The name Hollantide, in fact, is but a corruption of Hallowtide: the time of the sacred, the time of the holy. November 11 is also the old style date of Samhain, the Celtic new year. With Samhain and the Days of the Dead, from Halloween to All Souls Day, our thoughts go below the earth, just as the natural world is also shifting its energy below the earth. The leaves have flown, all growth now is below, in the roots. This makes for stronger growth above ground come spring and summer: balance. As above, so below. And while Veterans Day honors all veterans, living and dead, certainly those veterans who have passed hold a special place in our hearts. On the 11th of November, we remember them by reciting the words of Canadian poet John McCrae, written during that Great War:

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
in Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Our thoughts below the earth, yet above, too: poppies, for remembrance. We remember our veterans, we remember our winemakers, we remember all who have come and gone before us in these autumnal days as we continue to turn thoughts and actions inward with winter’s approach. It is natural, it is good.

 

Image: Arturo DeLuca in his bersaglieri plumes, cigarette in hand. In parades, the bersaglieri do not march, they trot.

 

Calaveras Dance

Calaveras

Hallowe’en is but the beginning of festivities that are powerful, celebratory connections to those who have come and gone before us. That first special night is followed by All Saints Day on the First of November and then today, the Second, brings us the day we celebrate everyone else, saint or not: All Souls Day, or Day of the Dead, Dia de Muertos. It is the homier of the two sacred days, more familial: All Saints Day has always seemed to me more of a formal church holiday, but Dia de Muertos is more about home, with good food, as well as music and games. Naturally, this is the day we like best of the two.

The celebrations in Mexico, where Dia de Muertos is a very big deal, can be very grand indeed, but most are just like one we will have: a small gathering, just amongst family, with a celebratory meal. We will eat, we will laugh, we will play loteria and laugh some more and we will eat some more and we will remember all of the folks who are there in spirit if not in person. It is celebrations like these that help us keep those loved ones with us, even long after they are gone. This is powerful magic, and so easily conjured. And this is what lies at the heart of these days we love so much. Death is there for every one of us. And if there is a seat for death set at every festive gathering, this, certainly, is the gathering and the day when we can laugh most heartily at it. Look closely at any of the traditional Mexican handcrafts we sell for Dia de Muertos, or at the woodcuts of José Guadalupe Posada that inspire them, and this becomes clear. Death is but a part of life. If we embrace it, if we do not not talk about it, it becomes less frightening. We gain some control over its power. And we keep the channels open across the ages.

 

Image: Calaveras from our Convivio Book of Days Catalog for Dia de Muertos.