Category Archives: Convivio Dispatch

Rare and Beautiful

If you like oysters, I’ve got a holiday for you: The 25th of July brings St. James’s Day, and oysters are the traditional meal. Me, I am not an oyster fan, and so I will pass on the oysters tonight, even though legend has it that those who eat oysters for St. James’s Day will never want for money for the rest of the year. I’ll just take my chances, thank you. In Galicia in Spain, where St. James is the patron saint, the evening meal might include scallops, too.

In England, St. James’s Day was in the past a day when apples were blessed by the parish priest, and this interests me more, for I love apples. I am my father’s son, after all, and he, too, was an avid apple eater. The apples on the trees, I imagine, are still quite green, even now as we inch our way toward autumn. And this is happening, of course, even as we melt daily through summer. Autumn is on the horizon.

Back when we were kids, it was always right about now, as July began to give way to August, that an annual warm weather melancholy would set in. School for us here in ended in late May, and there was still a bit of shock to May and the sudden end of school. It didn’t feel much more exciting than a long weekend. June was different: it was all ours. We were free and the days were long. There was the beach and then after there were TV shows and riding bikes with the other neighborhood kids. There were books, too––paperbacks that you could slip into your back pocket; one summer I read Dandelion Wine by Ray Bradbury. Most of all, there was no homework. When I was really young, when we lived in New York, we could stay up late and we could sleep late, although we never did, because Mom had us at the beach before 8, before the gates opened for the day and before the admission charge went into effect. I watched for dune buggies on the drive to the beach and then I’d eat my breakfast there once we arrived. Usually it was Cheerios in milk in a wide mouth Thermos. And coffee, even for us kids. The coffee, too, would come out of a Thermos, and there is nothing quite like coffee on the beach, early in the morning, with the scent of Bain de Soleil lingering in the salty air.

But it was right about this time, the end of July, that the realization crept in that summer was quickly fading. I know Northern schools start up after Labor Day, but here in South Florida, Labor Day was a school holiday. We’d be back at school by late August. August, we knew, was not ours. It was the month, already, of school supplies and homework and early rising of a not-so-good sort. Early July was as fine as June, but late July was the harbinger of August. By St. James’s Day, we understood that summer was almost done. Our ancestors had a grasp of this, too, for we are coming up soon on another of their major festivals: Lammas, which begins with the evening of July 31, is the first of the harvest festivals. It celebrates bread and John Barleycorn… and it brings with it the subtle transition toward autumn. For with Lammas, we’ll find ourselves midway between the Summer Solstice and the Autumnal Equinox. The wheel of the year shifts again.

But Lammas is days away, and today, it is the Feast of St. James. The oysters for St. James’s Day and the never wanting for money remind me of the story of a couple, right here in Downtown Lake Worth, who were sharing a platter of steamed clams at Dave’s Last Resort & Raw Bar. It was just about Christmas time, some ten years ago, and in one of the clams on their platter, they found a purple pearl. Rare and beautiful… and worth thousands of dollars. Some folks don’t believe half my Lake Worth stories (and I’m not sure I do, either), but this one’s documented as fact. I don’t know what became of them, or their purple pearl, but perhaps pearls, purple or not, were a more common find in clams and oysters in earlier days, making the legend of never wanting for money after eating your St. James’s Day oysters perhaps not so legendary at all. Perhaps it is the stuff of truth and just a matter of fact.

 

Image: Detail from “Pearl Oyster Fruits” by Anton Seder. Lithograph, 1890 [Public domain] via Wikimedia Commons.

 

What We’re Listening To

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Here is St. Cecilia’s Day this 22nd of November: Cecilia, patron saint of music, musicians, and poets. She was an early Roman martyr; her day has been associated with concerts and music festivals since time immemorial, and composers and poets have honored her through the ages. And here’s an interesting bit of trivia: the English composer Benjamin Britten was born on St. Cecilia’s Day, 1913.

I am not particularly musical, but I like being around people who are. My grandfather taught himself to play guitar and mandolin; he would sit and play traditional Italian songs. His guitar is right here next to me. My aunt is also musical: she plays piano and organ and accordion. Her talents took her all over the country and the South Pacific during World War II, playing in the USO for the troops. Here at home, Seth has been teaching himself to play piano, too. We have no piano, but whenever we happen to find ourselves near one, he sits down and plays the songs he knows, mostly Yann Tiersen songs. He’s pretty good.

I am one whose mind is easily boggled, and music boggles me: how a mixture of sounds can have the power to transport and transform astounds me. The astonishment comes out of nowhere sometimes, like last night, as I drove home from work. The thought of traveling the 5-lane freeway at rush hour was depressing me, so I hemmed and hawed and finally decided to take the road less traveled. I drove the coastal highway home, with the vast Atlantic on my right. The night was chilly, so I had the windows half open and the heater on, and there was music: it was The Walking by Jane Siberry, in my CD player since the weather turned cooler. It is lush and cinematic and it feels in some way autumnal to me. My musical selections are like that, for the most part: in tune with the seasonal round of the year, sometimes subliminally, like this one. The Walking accompanied me the whole moonless drive home, up A1A through all the surfside towns, and across the lagoon finally, back to the mainland at Lake Avenue. In the booth at the top of the draw bridge over Lake Worth, which is the name of both my town and the lagoon, I could see my friend Clarence the bridge tender in the lamplight. I waved, but he didn’t see me. I knew he wouldn’t; I was just one of many people driving by. But still it felt right and necessary to wave and say hello. A few minutes later, I was in my driveway. Seth was already home; the lights from inside the house glowed warm and welcoming. The night felt about as perfect as it could be.

What we’re listening to now: some suggestions for the season.

George Winston: Autumn. My friend Kelly Sullivan (she makes the soaps we sell) and I saw George Winston perform at our university back in the 1990s. He played piano barefoot. We were only a couple of rows away from him. I listen still to his seasonal albums––there is December, and Winter into Spring, and Summer, and Autumn––and I wonder how he does that: how he manages to capture the essence of a season in sound. Autumn is, I think, my favorite of his seasonal recordings. Favorite track: “Road.”

Jane Siberry: The Walking. Autumnal, somehow. Cinematic, as I mentioned: the songs on this record are rich and deep, some 9 or 10 minutes long, moving pictures made of sound and imagery. We all have our desert island record, and this is mine. It has informed so much of my creative work. It is a sound track that plays in my head as I walk along my way.

Jane Siberry: Angels Bend Closer. Jane has spent years working on her latest recording, which came about at first with the help of a Kickstarter campaign. The result was a record called Ulysses’ Purse, which she sent to all of us supporters last January. It’s now out as her latest record, with all of the songs re-recorded and slightly different and many new songs added. Ulysses’ Purse is in my rotation now, simply because it is what I have, but Angels Bend Closer was released just a few days ago. “Morag” may very well be the most important song I’ve ever heard. You should listen; you can actually listen to Morag and all the other songs on this album at the link above. Right down where it says “Listen.” Sometimes the best gifts are right there in front of us. You’ll be the sound of the ocean before we see it.

Happy St. Cecilia’s Day.

 

Image: A recent Jane Siberry photo. I think it’s so striking.

 

Ghosts I Have Known

horner-ghost

The ghosts that frequent my family are fond of waking us from sleep, often early in the morning. They were hard working folks in this earthly life and apparently no less so on the other side. And though I come from this same long line of early risers, I am not one myself. It’s just not in my nature. In fact, most of these Book of Days chapters are written in the deepest dark of night, when all is quiet and I can sit and think with darkness all around me. Tonight, as it so happens, it is blustery outside––perfect for that witching hour setting––but the darkness is a gentle darkness, illuminated with the glow of orange and purple lights for Halloween, inside and out. It ushers in a more mysterious time of year, Halloween does, and it is a favorite time of year in this house, and so we welcome it warmly. The lights are part of that welcome.

Back to the ghosts. History has shown that that early-to-rise philosophy by which my ancestors lived continues on into the afterlife. My mother, who, like me, enjoys a little extra sleep in the morning, revealed that she was awoken by my grandmother early one morning after Grandma’s passing. A Mass was being celebrated for Grandma at church that morning, and Mom remembers distinctly being nudged by someone and waking up to see her mother there, come to get her up and out of bed so she could get to church. It was a gentle nudge, and Mom felt at peace about the event.

My father was awoken by his mother early one morning, too, though she came for no apparent reason. It was on the first anniversary of her death, just at the time she died, in fact, about four in the morning. Something made him open his eyes from sleep, and there next to him, beside his bed, before the moonlit window, stood a shadowy form. He recognized the form immediately as that of his mother’s. His heart was racing. The shadowy figure said nothing and did nothing; she just backed away slowly and vanished.

That was in late November, after Halloween but still about the time of year when we especially remember those who have gone before us, the time of I Morti––the Dead––which begins at All Hallow’s Eve (the source of our modern word Halloween) and runs to Martinmas in mid-November and perhaps lingers a bit longer still for some. With Halloween and the days that follow (All Saints Day on the First of November and All Souls Day on the Second), we arrive at the last of the year’s cross quarter days, finding ourselves here in the Northern Hemisphere at the midpoint between the autumnal equinox and the coming solstice of midwinter. The ancient Celts believed this was the time of year when the veils separating the worlds of the living and the dead were at their most permeable. And still, to this day, this time of year holds this magic.

My grandmother was tough on my father and they butted heads a lot, but there was some mystery in their relationship, too. Dad was born with la camicia––the “shirt” or the “veil,” as they say. In English, we call it a caul: a piece of membrane attached to the newborn child. Not all of us are born this way; in fact, it’s pretty rare. If you are, well… we Italians can be a pretty superstitious people, you know. It is good luck to be born with “the veil,” but it is also said of those born with la camicia that they have the ability to see their path of life and also the path of the dead. They are a bridge between the realms. They are given the chance, if they want it, to observe the World of Shadows that exists parallel to our world. The old Lucan women of Basilicata say that if you have these powers, on All Souls Day you can place in the middle of a crossroads a basin of water and in the reflection of the water you will see the Procession of the Dead.

You can use that power in the Lucan tradition but once. Dad has never used his. There is far too much traffic these days to risk placing a basin of water in a crossroads, let alone peer into it. Plus he is just not interested. The shadowy visit from his mother left him shaken enough. It didn’t have the same calming effect on him that my mom experienced when her mother visited. But Dad still carries la camicia: his mother saved it after his birth and gave it to him on his 18th birthday along with a pipe. Later, after he met my mom, her mother sewed it into a little pouch that he carries with him inside his wallet, like a good luck charm. He had it with him all through the Second World War and he was pretty lucky through that, and truth be told, Dad has had a rather charmed life all his years. He’s worked hard through it but has always been able to accomplish what he wished. He is not, however, interested in the slightest in his apparent powers as a bridge between the living and the dead.

Come this time of year, I think of the me that was a little kid, trick or treating in a hobo costume on any 1970s Halloween (I was almost always a hobo) and I think of that little kid as a ghost, of sorts, too. He existed for a spell but now I am me, the grown man who writes to you every now and then. I am not that same me as that little kid, not exactly. And so maybe he is the first ghost I have known, dressed as that hobo in the CPO jacket with the patches sewn on it by my grandma, a crayon beard, crushed hat. And if I wasn’t a hobo, I was probably Charlie Chaplin’s Little Tramp character (another, more specific hobo) or if it was 1969 I was dressed in a Woolworth’s astronaut costume, the kind that came in a box with a plastic mask, very popular that year, or perhaps a scarecrow one other year, that one store bought, as well. But all of them by now––hobo, tramp, astronaut, scarecrow––ghosts of sorts, ghosts of the past.

But I, too, have run into more traditional ghosts. My grandfather died in 1982 when I was 18. Every night I kissed them goodnight, both Grandma and Grandpa, but the last night of his life we had company and we were gathered around the table and he was tired and he went to bed and I did not get up to kiss him; instead, he made a general proclamation that he was off to bed and I said goodnight to him from my seat, just like everyone else at the table. I never saw him again. He left this world during that night and it always bothered me that I hadn’t given him a proper goodnight kiss.

Months later, I had climbed into bed and before I could switch off the light in the closet from the light switch next to my bed, I fell fast asleep. But eventually I did awake; I awoke distinctly feeling that I had been kissed goodnight by my grandfather. I am very much aware that it could have been a dream, but it felt so very real that still to this day I have my doubts about that rational argument. It seemed beyond dream. My grandfather also liked to turn off unnecessary lights, so I also believe he may have returned not just to set my mind at ease about the kiss, but also to wake me up so I’d shut off the light. He was a practical man, after all. I count Grandpa as the first real ghost I have known.

There is something reassuring about the dead coming back to do simple, ordinary things. Like getting us up out of bed for an appointment or reminding us to turn off a light, and the ghosts I have known, for the most part, have simply been trying to help me out.

There was also the guy at the library where I work who appeared in a sideways glance while I was in the restroom on the third floor and who was gone before I could turn to see him fully. He was dressed in orange. Appeared, disappeared, and when it happened the electrical energy in the room shifted so all the hair on my body stood on end. I mentioned this to my boss at the time, who replied calmly, “Oh, you’ve seen our ghost.”

The building today is a patchwork of wings constructed at various times, but as the story goes, when the original five story building was being constructed in the 1960s, one of the workmen had fallen to his death from one of the upper floors, and it is his ghost, they say, that roams the building, even now. People have known of him since the building opened, but that was decades ago, and by now, most of the folks who knew him are gone, retired or off to different jobs. Some have joined him there in the afterlife. As one of my younger coworkers observed just a few nights ago, about something completely unrelated: “This place has terrible institutional memory.” There is some truth to this. All the folks who have left by now have taken his story with them and though I wasn’t by any long shot one of the originals who knew the tale, I may very well be now one of the last in the building who is familiar with it, and I wonder, what becomes of the man in orange once I myself leave that place? Does a ghost have any relevance if no one knows his story? I worry about him sometimes. But then again, that’s in my nature, too.

 

Image: The Horner Ghost. When I went to the Penland School of Crafts to take my first book arts class in 1994, the print shop was located down the hill in Horner Hall. We heard all kinds of stories at Penland, and one of them was about the Horner Ghost who shared the space with us. I opened a door down the hall from the print shop one night. It was a broom closet. I found this ethereal sketch pinned to the back of the door.