Author Archives: John Cutrone

The Bridge

No matter what happens in our lives––times of sadness, times of joy––our planet continues to do what it does: spin on its axis and orbit the sun. These are the celestial mechanics of a universe ruled by gravity. The spinning causes our passing days and nights and the orbiting, our seasons, and today, thanks to that constant progression around the sun, we find ourselves just about midway between the midwinter solstice of December and the spring equinox of March.

As a halfway point in the seasonal round it is known as a cross-quarter day, one that in Celtic tradition is called Imbolc: the start, in traditional reckoning of time, of spring in the Northern Hemisphere. The Church gave the day to St. Brigid, or St. Brigit, but me, I like the Brigid version because it looks more like “bridge,” which is what Brigid does: she bridges us from one perspective to the next, from winter to spring’s first stirrings. It will, for sure, be a long while before winter loses its grip, but Brigid gives us the assurance that it will happen, for nothing stays the same in the Earth’s daily migration along its path. Winter will give way to spring, spring to summer, summer to autumn, autumn to winter, winter to spring again. “The only thing that stays the same is change,” say the Waterboys in an old song of theirs, and they are right.

It is traditional for St. Brigid’s Day to fashion a St. Brigid’s Cross out of rushes or reeds (this is what you see in today’s photograph, above), as well as to leave an oat cake and butter on a windowsill in your home. This, to encourage Brigid to visit your home and bless all who live there. Brigid bridges us also to Candlemas, which comes tomorrow, and tonight, being Candlemas Eve, marks the true and official end of the Christmas season. If there still remain vestiges of yuletide greenery in your home, this is the night to remove them. And so tonight return to nature what is hers––the rosemary, bays, mistletoe, holly, ivy, all––if for no other reason than that soon enough, the earth itself will once again be erupting in green.

Image: St. Brigid’s Cross by Liscannorman [Creative Commons], via Wikimedia Commons.

 

Approach to Candlemas

January is waning, and with it, so is Yuletide in its full breadth. Most of us have packed away the Christmas things long ago, but there is an old old tradition that keeps the season going until the First of February, which is Candlemas Eve. Here in our house we have subscribed to this tradition this year, mainly because our tree has been so lovely and fresh, still, even in this late hour of midwinter. Perhaps also because Haden the Convivio Shop Cat loves sleeping beneath its boughs, and we enjoy the serenity of watching her sleep there.

Candlemas traditionally marks the end of the Christmas season in the Church, and even in homes, it is on Candlemas Eve that all vestiges of the Yuletide celebration are to be removed, as we shift from one seasonal perspective (winter) to another: the first stirrings of spring.

If you can’t imagine living with plastic snowmen and sparkly ornaments so far into the new year, keep in mind that in earlier times (well into the 20th century), Christmas decorations consisted of things of the natural world: holly and ivy, balsam and mistletoe, rosemary and other greenery. And in times past the decorations went up on Christmas Eve, not earlier. So it was pretty easy to live with these festive things in your home through to the Eve of Candlemas, and they certainly brought as much joy to a home as any of our contemporary decorations do now. While the major festivities of Christmas ended with Epiphany, the spirit of the season remained and lingered and kept folks company for these forty wintry days. But it was considered bad luck to keep these things about the house any longer than Candlemas. Our old reliable 17th century Book of Days poet Robert Herrick describes the significance of the day in his poem “Ceremony Upon Candlemas Eve”:

Down with the rosemary, and so
Down with the bays and misletoe ;
Down with the holly, ivy, all,
Wherewith ye dress’d the Christmas Hall :
That so the superstitious find
No one least branch there left behind :
For look, how many leaves there be
Neglected, there (maids, trust to me)
So many goblins you shall see.

The shift in our celebration of Christmas will probably always perplex me. How we took a celebration that traditionally begins on the solstice and runs through Candlemas and made it into a fourth quarter corporate event that begins in stores in September and makes people weary of its presence by Christmas Day is, I think, a great disservice to us all. In our home we follow the old ways as closely as we can. We may seem out of step with the rest of the world, but the rest of the world is not necessarily where we want to be, anyway. Home is a refuge for us and for sacred ceremony, and we rather like it that way. And so with Candlemas we will say farewell to the tree and to the wreath of bay upon the door. We’ll pack up the ornaments, and the tree will be returned to nature, laid to rest in a quiet corner of the garden. Next winter, at the solstice, we’ll use that same tree, dried over the course of the year, to fuel our solstice fire. And with Candlemas, we’ll shift our view from one of winter to one where the renewal of spring is close at hand.

 

Image: “Le Jeune Chanteur” by Trophime Bigot, who is known also as the Candlelight Master. Oil on canvas, 1650 [Public domain] via Wikimedia Commons.

 

Burns’ Night

Auld Lang Syne

As we approach the close of January, we come to Burns’ Night, the night we celebrate the great Scottish poet Robert Burns, who was born on the 25th of January, 1759. Burns’ Night suppers are held throughout Scotland, and the meals typically include Scottish dishes like haggis served with neeps and tatties (turnips and potatoes), together with a wee dram of whisky accompanied by the recitation of plenty of Burns’ poetry.

The dialect that Burns wrote in is rarely easy to master for a non-Highlander, but whenever I read a Robert Burns poem, I conjure up the memory of a woman I worked with many years ago. Josephine was from Scotland and she was a bit scattered and she sometimes got tired, in the middle of a day’s work, of wearing shoes. She and I installed many a greeting card department in our days working for the Ambassador Cards division of Hallmark, and to hear her read from a Hallmark instruction manual… well, it was musical and beautiful. Anytime I read Burns I just imagine it is Josephine who is speaking to me again, and then it is easy to fall into the rhythm of his words. (An additional wee dram of whisky does not hurt, either.)

Certainly the night calls for the singing of Burns’ most famous work, the song and poem “Auld Lang Syne,” which translates to Old Long Since, or Old Times. We opened the new year with this song, and we close the month with it, too. If it brings a tear or two, so be it. Robbie Burns was a bit of a sentimental poet, and there’s nothing wrong with a bit o’that every now and again.

Should auld acquaintance be forgot,
and never brought to mind?
Should auld acquaintance be forgot,
and auld lang syne?

CHORUS:
For auld lang syne, my jo,
for auld lang syne,
we’ll tak a cup o’ kindness yet,
for auld lang syne.

And surely ye’ll be your pint-stowp!
and surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
for auld lang syne.

CHORUS

We twa hae run about the braes,
and pu’d the gowans fine;
But we’ve wander’d mony a weary fit,
sin auld lang syne.

CHORUS

We twa hae paidl’d i’ the burn,
frae morning sun till dine;
But seas between us braid hae roar’d
sin auld lang syne.

CHORUS

And there’s a hand, my trusty fiere!
and gie’s a hand o’ thine!
And we’ll tak a right gude-willy waught,
for auld lang syne.