Author Archives: John Cutrone

Martinmas

Salute

Here in the United States, November 11 is Veterans Day, a national holiday honoring all who have served in the military. Older folks remember it as Armistice Day, which began as a commemoration of the formal ending of World War I, or the Great War, as it was known before World War II. It was to be the war to end all wars…. which, of course, has not been the case. Still, the armistice that ended that war, signed at the eleventh hour of the eleventh day of the eleventh month of 1918, is, in countries on both sides of the Atlantic, remembered today. In 1954, Congress replaced the word “Armistice” with “Veterans,” and this is the name we have given this national holiday ever since.

The day marks a much older celebration, though. November 11 is the feast of St. Martin of Tours, who also happened to be a veteran, but of the Roman army. He was born in 316 in the part of the vast Roman Empire that is now Hungary and became a soldier when he was a young boy. He was part of the imperial calvary (which is why he is often depicted on horseback) and was sent to serve the empire in Gaul (which is now France). At some point, though, Martin had a change of heart: he converted to Christianity and became a pacifist and refused to fight. He was imprisoned for the pacifism he preached, but eventually was released. He became a monk and founded a monastery there in France.

Many of the legends that revolve around St. Martin happen to involve wine. The best known story is of him coming across a disheveled drunken man shivering in the cold on a bitter winter’s day; Martin saw the man, took off his own woolen cape, cut it in two with his sword, then wrapped one half around the cold man to warm him. In the Middle Ages, he was one of the more popular saints and became a patron saint of all kinds of folks, from tailors to innkeepers to the French monarchy… but perhaps St. Martin is best known as patron saint of grape growers and winemakers, and even of those who delight in wine (sometimes even of drunkards).

It is no wonder, then, that St. Martin’s Day, or Martinmas, has become associated with wine. It is the day to taste the year’s new wine, which has been fermenting by now for only a few weeks. French Beaujolais wines are still, to this day, released on or around Martinmas. His day is also the last big religious feast day before Advent, which was, in earlier days, a time of fasting, and so it was also a day for a good, hearty meal, often of goose or turkey––essentially, a meal of thanksgiving for the harvest. Traditional Martinmas foods include goose and turkey, and also chestnuts and very hard biscotti, some of which are baked not just twice but three times. Hard as rocks? You bet. But there’s a reason for that: Biscotti di San Martino are meant to be dunked in that new wine that we’re drinking on his day.

In the parts of Europe that most thoroughly celebrate St. Martin’s Day, it is often a time of warmer weather, the last bit of it before the full onset of winter. Kind of like Indian Summer in America, it’s known in Italy, for instance, as l’estate di San Martino (St. Martin’s Summer). But this mild weather tends to be fleeting. Colder nights lie ahead and with Martinmas we find ourselves, by traditional reckoning of time, at the natural start of winter. It is, until Yuletide, a time of increasing darkness. The living world continues its process of shutting down and receding into itself: going underground. Trees are no longer growing above, but roots below the surface still are growing. And so the connections are strong, these darkening days, between the world of the living and the underworld of the dead.

Of course we honored these days of the dead at the start of the month with Halloween and All Saints and All Souls. But the connection of Martinmas to the days of the dead is just as strong, through memory. Before the change to the Gregorian Calendar, the 11th of November was Samhain, the Celtic New Year. Another name for Martinmas is Hollantide, and just as Halloween is a corruption of the words All Hallow’s Eve, so is Hollandtide, which comes from Hallowtide: the time of the sacred, the holy––those who have gone before. Many of our contemporary Halloween traditions come out of Hollantide traditions: the carving of turnips (replaced by pumpkins here in America) into Jack o’Lanterns and the going door to door in search of soul cakes, which has evolved into the trick-or-treating we know today. The day is also a traditional weather marker: If ducks do slide at Hollantide, At Christmas they will swim. / If ducks do swim at Hollantide, At Christmas they will slide. / Winter is on his way / At St. Martin’s Day.

And so we continue turning inward at this time of year, gathering in, preparing for winter. By all means, though, warm the evening at Martinmas with wine. Light a fire while you’re at it. The Celts would have lit huge bonfires on Samhain to welcome in the new year, and in our case, a small celebration involving a fire in the hearth or in the fire pit in the back yard is just as good, and even better with a bottle of wine and some good company. Good St. Martin himself would have it no other way.

Today’s chapter was originally printed in the Convivio Book of Days on Martinmas 2013. Pictured above: Parents, grandparents, aunts, uncles, godparents, raising their glasses at my sister’s christening dinner, Brooklyn 1953. “Salute!”

 

¡Feliz Día de los Muertos!

calavera

Día de Muertos

In other places we stumble
upon the grounds
where we bury our dead.
I am thinking, for instance, of Pine Level
where the magnolia blooms were bigger
than our hands; we read
the stones, touched them, talked of what it is
to die, our hands beneath our heads, the sky
pressed close before our faces.

I’ve pulled the guitar from the closet.
There are candies on the ofrenda in the hallway,
and black cloth, a crucifix, cut paper,
and here: your favorite scent of candle, nutmeg,
the sugar calaveras, dancing
skeletons, bread to eat,
and photographs.

I felt lost each time we opened
the ground. Parts of me
kept falling in, covered with dirt
and flowers. But today we’ll dance won’t we
esto día we’ll dance amidst skeletons shaking
animated bones, the wooden floor, the hats
and women in skirts spinning
green spinning red blue and orange, music
and laughter: such human sounds.

What is it to die? We could think
of nothing, and maybe it is
But to live, my God
Love, I said
Create
Continue what was begun
I will dance with you
drink bone punch
We will laugh today like when you
could not catch your breath
We’ll sweep the floor with your skirt,
keep time with the violins and guitars.

 

So the poem: I wrote that, oh, a few years ago. The video? Some excellent student work from the Ringling College of Art and Design in Sarasota. It’s Día de Muertos today, Day of the Dead. Tonight we’d do well to light candles, play festive music, and dance with those we love who return to visit. Have a wonderful time, even if the celebration is just kept in a small corner of your heart. And if you’re here in lovely Lake Worth this Saturday evening, come see us at our town’s Día de Muertos celebration. Seth and I will be there with all of our traditional Day of the Dead handicrafts from San Miguel de Allende, Mexico. You can also expect festive music (mariachi and marimbas!), dancing, food, fun for kids, a vintage auto show, and a Day of the Dead procession. It’s all at the Armory Art Annex, which is the old Lake Worth Shuffleboard Courts building. Inside the gallery, beautiful altars. Outside in the courtyard is where everything else will be. Word has it there’ll be Mexican hot chocolate, too!

It’s on Saturday from 5 to 9 PM at the Armory Annex, 1121 Lucerne Avenue here in Downtown Lake Worth, just west of Dixie Highway (in between Lake Avenue and Lucerne Avenue). Be sure you stop by and say hola to us. ¡Felix Día de Muertos!

 

Ghosts I Have Known

horner-ghost

The ghosts that frequent my family are fond of waking us from sleep, often early in the morning. They were hard working folks in this earthly life and apparently no less so on the other side. And though I come from this same long line of early risers, I am not one myself. It’s just not in my nature. In fact, most of these Book of Days chapters are written in the deepest dark of night, when all is quiet and I can sit and think with darkness all around me. Tonight, as it so happens, it is blustery outside––perfect for that witching hour setting––but the darkness is a gentle darkness, illuminated with the glow of orange and purple lights for Halloween, inside and out. It ushers in a more mysterious time of year, Halloween does, and it is a favorite time of year in this house, and so we welcome it warmly. The lights are part of that welcome.

Back to the ghosts. History has shown that that early-to-rise philosophy by which my ancestors lived continues on into the afterlife. My mother, who, like me, enjoys a little extra sleep in the morning, revealed that she was awoken by my grandmother early one morning after Grandma’s passing. A Mass was being celebrated for Grandma at church that morning, and Mom remembers distinctly being nudged by someone and waking up to see her mother there, come to get her up and out of bed so she could get to church. It was a gentle nudge, and Mom felt at peace about the event.

My father was awoken by his mother early one morning, too, though she came for no apparent reason. It was on the first anniversary of her death, just at the time she died, in fact, about four in the morning. Something made him open his eyes from sleep, and there next to him, beside his bed, before the moonlit window, stood a shadowy form. He recognized the form immediately as that of his mother’s. His heart was racing. The shadowy figure said nothing and did nothing; she just backed away slowly and vanished.

That was in late November, after Halloween but still about the time of year when we especially remember those who have gone before us, the time of I Morti––the Dead––which begins at All Hallow’s Eve (the source of our modern word Halloween) and runs to Martinmas in mid-November and perhaps lingers a bit longer still for some. With Halloween and the days that follow (All Saints Day on the First of November and All Souls Day on the Second), we arrive at the last of the year’s cross quarter days, finding ourselves here in the Northern Hemisphere at the midpoint between the autumnal equinox and the coming solstice of midwinter. The ancient Celts believed this was the time of year when the veils separating the worlds of the living and the dead were at their most permeable. And still, to this day, this time of year holds this magic.

My grandmother was tough on my father and they butted heads a lot, but there was some mystery in their relationship, too. Dad was born with la camicia––the “shirt” or the “veil,” as they say. In English, we call it a caul: a piece of membrane attached to the newborn child. Not all of us are born this way; in fact, it’s pretty rare. If you are, well… we Italians can be a pretty superstitious people, you know. It is good luck to be born with “the veil,” but it is also said of those born with la camicia that they have the ability to see their path of life and also the path of the dead. They are a bridge between the realms. They are given the chance, if they want it, to observe the World of Shadows that exists parallel to our world. The old Lucan women of Basilicata say that if you have these powers, on All Souls Day you can place in the middle of a crossroads a basin of water and in the reflection of the water you will see the Procession of the Dead.

You can use that power in the Lucan tradition but once. Dad has never used his. There is far too much traffic these days to risk placing a basin of water in a crossroads, let alone peer into it. Plus he is just not interested. The shadowy visit from his mother left him shaken enough. It didn’t have the same calming effect on him that my mom experienced when her mother visited. But Dad still carries la camicia: his mother saved it after his birth and gave it to him on his 18th birthday along with a pipe. Later, after he met my mom, her mother sewed it into a little pouch that he carries with him inside his wallet, like a good luck charm. He had it with him all through the Second World War and he was pretty lucky through that, and truth be told, Dad has had a rather charmed life all his years. He’s worked hard through it but has always been able to accomplish what he wished. He is not, however, interested in the slightest in his apparent powers as a bridge between the living and the dead.

Come this time of year, I think of the me that was a little kid, trick or treating in a hobo costume on any 1970s Halloween (I was almost always a hobo) and I think of that little kid as a ghost, of sorts, too. He existed for a spell but now I am me, the grown man who writes to you every now and then. I am not that same me as that little kid, not exactly. And so maybe he is the first ghost I have known, dressed as that hobo in the CPO jacket with the patches sewn on it by my grandma, a crayon beard, crushed hat. And if I wasn’t a hobo, I was probably Charlie Chaplin’s Little Tramp character (another, more specific hobo) or if it was 1969 I was dressed in a Woolworth’s astronaut costume, the kind that came in a box with a plastic mask, very popular that year, or perhaps a scarecrow one other year, that one store bought, as well. But all of them by now––hobo, tramp, astronaut, scarecrow––ghosts of sorts, ghosts of the past.

But I, too, have run into more traditional ghosts. My grandfather died in 1982 when I was 18. Every night I kissed them goodnight, both Grandma and Grandpa, but the last night of his life we had company and we were gathered around the table and he was tired and he went to bed and I did not get up to kiss him; instead, he made a general proclamation that he was off to bed and I said goodnight to him from my seat, just like everyone else at the table. I never saw him again. He left this world during that night and it always bothered me that I hadn’t given him a proper goodnight kiss.

Months later, I had climbed into bed and before I could switch off the light in the closet from the light switch next to my bed, I fell fast asleep. But eventually I did awake; I awoke distinctly feeling that I had been kissed goodnight by my grandfather. I am very much aware that it could have been a dream, but it felt so very real that still to this day I have my doubts about that rational argument. It seemed beyond dream. My grandfather also liked to turn off unnecessary lights, so I also believe he may have returned not just to set my mind at ease about the kiss, but also to wake me up so I’d shut off the light. He was a practical man, after all. I count Grandpa as the first real ghost I have known.

There is something reassuring about the dead coming back to do simple, ordinary things. Like getting us up out of bed for an appointment or reminding us to turn off a light, and the ghosts I have known, for the most part, have simply been trying to help me out.

There was also the guy at the library where I work who appeared in a sideways glance while I was in the restroom on the third floor and who was gone before I could turn to see him fully. He was dressed in orange. Appeared, disappeared, and when it happened the electrical energy in the room shifted so all the hair on my body stood on end. I mentioned this to my boss at the time, who replied calmly, “Oh, you’ve seen our ghost.”

The building today is a patchwork of wings constructed at various times, but as the story goes, when the original five story building was being constructed in the 1960s, one of the workmen had fallen to his death from one of the upper floors, and it is his ghost, they say, that roams the building, even now. People have known of him since the building opened, but that was decades ago, and by now, most of the folks who knew him are gone, retired or off to different jobs. Some have joined him there in the afterlife. As one of my younger coworkers observed just a few nights ago, about something completely unrelated: “This place has terrible institutional memory.” There is some truth to this. All the folks who have left by now have taken his story with them and though I wasn’t by any long shot one of the originals who knew the tale, I may very well be now one of the last in the building who is familiar with it, and I wonder, what becomes of the man in orange once I myself leave that place? Does a ghost have any relevance if no one knows his story? I worry about him sometimes. But then again, that’s in my nature, too.

 

Image: The Horner Ghost. When I went to the Penland School of Crafts to take my first book arts class in 1994, the print shop was located down the hill in Horner Hall. We heard all kinds of stories at Penland, and one of them was about the Horner Ghost who shared the space with us. I opened a door down the hall from the print shop one night. It was a broom closet. I found this ethereal sketch pinned to the back of the door.